TAIPEI (Taiwan News) — Taiwan’s National Symphony Orchestra will pay tribute to the late Lin Rong-san (林榮三), the country’s media pioneer and democracy advocate.
The concert will take place on Saturday at Taipei’s National Concert Hall. It marks the 10th anniversary of Lin's passing.
Under the direction of conductor Lin Chin-chao (林勤超), the orchestra will present the world premiere of “A Path Forward,” a composition by Chen Ke-chia (陳可嘉) inspired by Lin’s lifelong pursuit of progress and freedom. The program also features Russian pianist Denis Kozhukhin performing Johannes Brahms’ “Piano Concerto No. 2 in B-flat major, Op. 83.”
The Lin Rong San Foundation of Culture and Social Welfare said the concert celebrates Lin’s vision and dedication to democracy, which significantly shaped Taiwan’s media landscape. Though he achieved notable success in politics and business, Lin devoted himself to journalism.
He founded the Liberty Times in 1993 under the motto “Taiwan Foremost, Liberty First,” promoting media innovation and democratic ideals.
At a press conference, Chen explained that “A Path Forward” seeks to capture Lin’s enduring spirit, though no single expression can fully encompass his legacy. The composition opens softly, like the quiet of dawn, gradually unfolding as a tribute to Lin’s love for Taiwan.
Chen described music, like Lin’s dedication to journalism, as an act of creation, perseverance, and devotion. She expressed hope that audiences will sense his enduring commitment to ideals and the land he loved.
The program also features Wolfgang Amadeus Mozart’s radiant “Symphony No. 41, K. 551,” known as the “Jupiter Symphony,” and Brahms’ rich and expressive “Piano Concerto No. 2.” Together, the three works trace a musical journey from classical clarity through romantic richness to modern vitality.
Lin described “A Path Forward” as “a tribute to Taiwan’s enduring spirit and a gesture of respect for the land.” He noted that while Mozart embodies classical precision and wisdom, Brahms expresses humanity and romance. Together, the pieces form “a dialogue across time and space, from reason to warmth.”
